Adonia Verlag: Women as Objects of Men in Shakespeare's 'The Merchant of Venice' - Billen, Matthias - Bod

Women as Objects of Men in Shakespeare's 'The Merchant of Venice'

Akademische Schriftenreihe V167798
Bod
ISBN 9783640844135
20 Seiten, Taschenbuch/Paperback
CHF 19.70
BOD folgt in ca. einer Woche
Studienarbeit aus dem Jahr 2009 im Fachbereich Anglistik - Literatur, Note: 2,0, Universität Trier, Sprache: Deutsch, Abstract: 1. Introduction

The relationship between women and men and the broader social, judicial, familial,

psychological or political ramifications of this relationship is an ongoing topic in the

cultural arena with discussions of varying degrees of intensity and often with extremely

different conclusions. The movement of feminism can be seen as initiator, but also as a

catalyst or as an outcome of these discussions. But there is no monolithic block of feminism

and no single literary theory of feminism, but one major landmark in the evolution

of feminism is the publication of Simone de Beauvoirs book Le DeuxièmeSexe

in 1949. By tracing back womens role and position in society with different methods,

she stresses that the oppression of women is due to patriarchy pervading almost all societies.

Turning back to literature, this description of patriarchy can usefully be applied in analysing

a drama such as Shakespeares The Merchant of Venice(1998). The female characters

in this comedy are embedded in societal structures of patriarchy. This can be

seen in the influence of father figures, the economic principles which underlie their existence

and the final subjection to their husbands even though they actively participate.

But eventually, they remain in their traditional role, not being able to subvert the societal

system effectively.

To support this thesis, the concept of feminism will be discussed, especially in regard of

de Beauvoirs viewpoint. In a second step, the role of women in the Renaissance will be

concerned, immediately referring to the play and its female characters.



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