The Place of the Symbolic

brings together Reiner Schürmanns essays on the nexus between art and politics. In keeping with his translation of the destruction of metaphysics into an an-archic philosophy of practice, Schürmann here develops a radically immanent theory of the place of symbols, irreducible to both Idealist theories and structuralist accounts of the symbolic such as Jacques Lacans. Symbols, Schürmann argues in some of his earliest texts, may provide a bridge between ontological difference and politics. They resist being grasped metaphysically, in terms of representation. Instead their understanding requires a specific way of existence: attending to the coming-to-presence of phenomena. As such, the understanding of symbols discloses a form of praxis that abandons ultimate grounds and opens onto the manifold.





Alongside Schürmanns theory of symbols, the collection includes essays on the interaction of metaphysics, tragedy and technology, on the there is in poetry, as well as reflections on judgment. Throughout these characteristically lucid interventions, Schürmanns most urgent concern remains a consideration of singular and finite practices that enact a release from universal principles. Art and politics appear here as the unworking of ultimate grounds; that is, as practices attuned to a truly groundless form of life.