'Kilpeläinens engaging journey through Baldwins postcategorical utopian thought shows how this writers under-appreciated later works foresee todays heated ideological and philosophical debates. From political unconscious to Afrofuturism, this book maps Baldwins Black queer wisdom: Labels and essentialized identities easily become instruments of power, dividing and alienating societies, cultures, and individuals.'



(Magdalena J. Zaborowska, Professor of American Studies and Afroamerican and African Studies, University of Michigan)



'This study is an important and timely analysis of Baldwins later novels. Kilpeläinens writing is sophisticated and eloquent, and his critical framework is startlingly clear and illuminating. Seizing on Baldwins incessant urgency, he advances an authoritative, convincing argument that will add enduringly to our collective appreciation of Americas prophetic witness.'



(D. Quentin Miller, Professor of English, Suffolk University, Boston)



This book examines the dialectic of ideology and utopia in three novels by James Baldwin. Taking Fredric Jamesons seminal theory of the political unconscious as its point of departure, Dr Pekka Kilpeläinen conceptualizes Baldwins writing in terms of the impulse of postcategorical utopia, where the ideological categorizations based on race and sexuality, in particular, are challenged by the utopian impulse to imagine alternative futures. The readings of three of Baldwins novels probe into the questions of ideological and utopian spatialities, transgressive interracial and same-sex relationships, and critiques of both Western modernity and its black counterculture. Baldwins denouncement of the oppressive effects of identity categories penetrates his entire oeuvre, from his early, critically acclaimed work to his later, often ignored novels. Seen through the lens of postcategorical utopia, the urgency of Baldwins vision gains a new sense of immediacy and relevance.