Husseinist Theatre theory takes hold of martyrology to strike a note of humanitarianism that man is to succour his principles at all costs and comes across culture, bloodlines, race, and colour; it's a theory from man and for man and to man, and insures respect to all the martyrs in history from the death of Socrates (399B.C.6), described in Platos Phaed. Husseinist Theater Theory considers martyrdom as a cosmopolitan writing, since the blood is blood in all ages and flows for nothing but for justice and rights as delineated more fully in this research pape.